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Canton Museum of Art : ウィキペディア英語版
Canton Museum of Art (Ohio)
The Canton Museum of Art, founded in 1935, is a broad-based community arts organization designed to encourage and promote the fine arts in Canton, Ohio.
In its early days (1935–1945), the Museum served largely as an exhibition and meeting place for local artists; collecting was not a prime objective. A program from 1943 lists the museum’s eight objectives, with the Permanent Collection mentioned last: “To provide a permanent museum for the collecting and preservation of art objects.” Operating under this broad mandate, the Museum began to purchase work of local and regional artists. Many of these works were of Canton area landmarks or personalities documenting the cultural and historic heritage of the area. Gifts from local patrons and corporate benefactors from their personal art collections are also included in the Museum's holdings. Many of these donors were themselves artists or sponsors of area artists.
The Museum collection added to the local cultural heritage in two major ways - public exposure to the larger world of art and documentation of local art history. The purchases of works by local artists and the acceptance of donations were the two major influences on the development of the Permanent Collection until the Museum moved into the Cultural Center for the Arts in 1970. At that time, the Museum’s Board decided that the Permanent Collection should be focused on a more specific collecting area. The Ralph L. Wilson Collection of American Art, gifted in the 1970s, was a significant step toward the eventual focus on 19th and 20th Century American artists.
==History==
The Canton Museum of Art traces its roots to the Little Civic Art Gallery founded in the Canton Public Library in 1935. A year later, the organization became known as the Canton Art Institute and an active program of exhibits and educational programs flourished throughout the late 1930s. In 1941, a Richardsonian building known as the Case Mansion was donated and renovated to become the home of the Institute. During the next thirty years, CAI became a focal point for the arts in Canton, supporting affiliate organizations such as Canton Fine Arts Associates. It provided a home for the offices of the Canton Symphony, and facilities for the Madrigal Singers, Canton Chamber Music Society and the Players’ Guild.
All the arts in Canton were centralized when the Cultural Center for the Arts was established in 1970. The Institute began a program of expanded exhibits and art classes. Educational initiatives, such as the Humanities program with the Canton City Schools, were begun and new affiliate organizations, including the Museum Guild, the Players’ Guild Theatre, and the Potter's Guild were founded.
During the 1980s, the Board of Trustees and CMA Staff began to clarify the goals and direction of the Museum. In 1989, a unique focus for the Permanent Collection:
* 19th and 20th Century American works on paper and
* American ceramics, 1950s and forward,
was approved by the CMC and Board of Trustees.
1980s CAI shows including a Goya exhibit, two successful exhibitions of Ohio’s quilts and a commemoration of the Statue of Liberty’s centennial. In the 1990s, the museum presented a broad variety of exhibits, including innovative projects such as Ubu Roi and The Power of If involving students, teachers and area artists. A CMA original exhibit, "Ultra-Realistic Sculpture by Mark Sijan," presented here in 1992, went on an extended national tour. The museum's educational efforts included Outreach programs and Art Experience Days.
CMA celebrated its 60th Anniversary in 1995 and assumed a new identity as The Canton Museum of Art. In 1997-98, the Museum presented "Norman Rockwell’s America," the most successful exhibit in the Museum’s history and hosted a touring exhibition from the United States Holocaust Memorial Museum, "The Nazi Olympics—Berlin 1936." In 2004, the Museum presented the prestigious "Andrew Wyeth: The Helga Pictures" exhibit to over 12,000 patrons in six weeks.

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